Nia discusses immigration, juggling painting and parenthood, and the memories of a currently inaccessible life and family in Iran.  

The Open Venus at Latitude Gallery embodies the abject realities of bodily transformation.

Raised in both Ukraine and Israel, Halfin moved to Brooklyn in her adulthood. The fiber artists feels that not one place represents her; all three do.

A two-person show at a Brooklyn apartment gallery explores interconnection and closeness.

Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.

Lucas Memmola installation commissioned by the UN’s Food and Agriculture Organization calls for further scrutiny.

A striking photo book depicts the lesbian experience through the lens of daughterhood.

I refuse to believe that our future will be one of grievance. In fact, anger has never felt so powerful.

Montserrat Miranda Ayejes interviews Danielle Juliao and Martin Isaza, who hope to support emerging Latin American artists.

An alternative art fair made its base in a Paris office building.

Oh, Canada’s tender cynicism.

A Palestinian American artist discusses emotional truths and his artistic purpose in the time of war. 

Leading up to the election, Nobles brings a poignant voice to the discourse around reproductive rights, gender, and sexuality.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

A group exhibition showcasing emerging artists at Nunu Fine Art elevates contemporary art practices from Asia.

At-Will Adaptation prods our open wounds from attempting to be individuals, breaking down embryo, identity, and purpose.

Gegenheimer’s ten-painting show suggests that time is less a series of separate instances and more a pattern of experience.

A surrealist play adapted from Yevgenia Belorusets’s book attempts to unpack the unspeakable.

From a giant plastic quilt to incense sticks on ceramics, Art Toronto 2024 features many works implicated in home, place, and community.

OASIS unpacks meaninglessness, homosocial interactions, and objecthood at Vardan Gallery, Los Angeles.