Adrian Yu and Omer Yosef unveil a dynamic public art installation in front of Mesa City Hall.

“I think of painting as a kind of lure”: Sunna on the mitigative and expository qualities of art.

The Brooklyn-based painter discusses Artists Commit and collective organizing.

At CARVALHO PARK, Nicola Turner’s wool and horsehair tendrils entangle various past lives.

Jane Lombard Gallery’s new initiative, JLG Projects, zooms in on Sam Dienst’s fascination with the cartoon aesthetic.

Photographer Josh Aronson discusses an award-winning public art project and the evolving art scene in Miami.

De Jong opens up about his intercontinental journey and a contextual understanding of resilience, identity, and optimism.

“I feel connected to these struggles”: a Detroit-based artist honors Black history via sculpture.

At YveYANG Gallery, Huidi Xiang’s site-specific installation brings an animated film to life while centering on underrecognized labor.

Two artists discuss how their partnership and ongoing dialogue nurture their distinct practices.

Recently featured in Phaidon Press’s Great Women Sculptors, Anina Major’s practice dialogues with identity and belonging.

An artist, model, and art director discusses her site-specific practice and interdisciplinary adventures.

Bodzy’s sculptures grapple with societal expectations and beauty standards through experimental materiality.

Soto’s Central Park exhibition, presented by the Public Art Fund, honors Puerto Rican architecture and working-class communities.

Jorge Villarreal and Filippo Vogliazzo discuss the second run of a residency that engages community and context.

A bedroom exhibition unpacks the complexities and parallel truths around domesticity and femininity.

The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.

On capturing the marvels of nature and wildlife, Patel says, “I wait for those intimate, somber moments that convey emotion.”

Founders of Project III and Embodied Earth discuss the first of many collaborations to come.

The British artist unpacks minutiae, dysmorphia, and his reckoning with technological or mediatic falsities.