A Thousand Kisses Deep: Joyce Wieland at MMFA
“Heart On” generates dialogue on care and identity as North America reckons with conversations on unity and division, accountability and erasure.
Archive and Absence: Ohan Breiding
Breiding examines violence in resource extraction through the lens of the archive at A.I.R. Gallery.
Hong Kong Art Week 2025 Recap
From art fair sales to buzzy debuts, Hong Kong Art Week delivered a celebration of art in motion.
Review of Jacob Jackmauh: “Admissions”
Jackmauh’s solo show at Parent Company stages a poetic collapse of memory’s excess.
Terran Last Gun’s Eternal Ledger Drawings
Working in a powerful tradition, Last Gun presents an exhibition of transcendent abstractions at Chapter NY.
Tavares Strachan’s Energetic Interrogations
The artist’s solo exhibition, Starless Midnight, entices viewers out of successive comfort zones.
Review: Chronicles of the Absurd
A film about the Kafka-esque repression of Cuban bureaucracy showcases secretly recorded audio clips.
Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”
Joan Jonas reflects on personal and natural loss in her new installation at Gladstone Gallery.
Object Lessons
The real world privileges experience over interpretation. To make an omelette—you know.
Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma
Gabori’s practice renders maps of her homeland from memory.
Separating the Art from the Artist
Lyne Lapointe transcends the self by shifting through different materials and modes of corporeality at Jack Shainman.
Le’Andra LeSeur and the Eternal Ephemerality of Suspension
“We can float,” LeSeur announces in Monument Eternal, “we don’t have to break, we don’t have to shatter.”
Images Across the Veil: Tyler Mitchell
In his first solo exhibition with Gagosian, the artist pushes the boundaries of form and challenges photographic transience.
Thiang Uk’s Contradictions in Harmony
Tradition and mythology transcend time in Uk’s shapeshifting paintings.
Abstracting the Everyday
In Pennies from Heaven, Kianja Strobert lets us draw our own material conclusions.
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
The artist's new solo exhibition at P·P·O·W Gallery examines femininity, control, and bodily autonomy through the delicate yet defiant medium of porcelain.
My Flight Was Magnificent, but Futile
Tuan Andrew Nguyen’s latest exhibition of reclaimed bombshells and video presents a narrative of purpose, power, grace, and regenerative futures.
Teresa Solar Abboud: “Tu sombra sustituida”
In Mexico City, Teresa Solar Abboud nods at a shared biology that emerges from the soil.
Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline”
In the National American Theater Company’s Cymbeline, every rageful man is played by an Asian American woman.
