An artist, model, and art director discusses her site-specific practice and interdisciplinary adventures.

At Susan Inglett Gallery, a group show curated by Cortney Connolly rethinks Pop Art.

Bodzy’s sculptures grapple with societal expectations and beauty standards through experimental materiality.

A bedroom exhibition unpacks the complexities and parallel truths around domesticity and femininity.

A poet and artist documents how dislocation affects migrant women workers.

Stark engages with tarot archetypes to delve inwards and reveal complex possibilities of emotional states, desire, and being.

A reprisal of André Heller’s 1987 anti-fascist art-amusement park takes over the Shed.

The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.

The artist’s solo exhibition views technologization through an expansive concept of evolution that de-centers humanity.

At Michael Kohn Gallery, Wang’s paintings toy with the margins of representation.

Group exhibition Pathways conceives selves decaying into bottomless memory.

Cynthia Chen reviews Chang’s debut solo exhibition at Gallery 456.

Studio in a School brings arts education and access to students in underserved communities.

Souza’s embodied and individualistic approach to painting remains stylistically unrestrained.

Video artist Yuge Zhou sees beauty in landscapes and fleeting moments of simultaneity.

OBSESSED delves into the quandary of authenticity within the contemporary digital (ir)reality.

Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.

An Italo-Tunisian artist and author opens up about the struggles around citizenship, media representation, and the long journey ahead.

A group exhibition curated by Saam Niami and Gabrielle Richardson at 25 Allen Street reminds us what community looks like.

The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement.