I Am Me is about celebrating Modersohn-Becker’s singularity, desires, and personhood.

In the Argentinian farmlands, distant flashes of lightning are sometimes attributed to “wandering souls” in popular mythology. Saints hang on walls, flickering lights seem to speak, and even exaggerated sneezes seem preordained.

You’re not basic. You’re shabby chic.

It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.

In her incredibly well researched book, Strasser tries to make sense of Oak Ridge's complicated past, as it transformed a place of nature and stability into a source of man-made, unstable destruction.

△, organized by Site, presents the work of Seoyoung Kim, Soeun Bae, and Soo Park. The show acts as a conversation with their past work and explores their transformation and growth as artists, focusing on the material qualities of existence.

Meet Atreya Mathur, the Director of Legal Research at the Center for Art Law, immigrant, and art lover.

Metamorphosis, the apparent theme of the show, relates to the heterogeneity of process and the variety of techniques.

Are they receivers of not only the male gaze but also the human gaze? Are they delegations of human existence into an unstable, cybernetic world that we cannot physically or intellectually navigate with ease?

Through chair design, the female form is appropriated, reconfigured, weaponized, and emancipated.