The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement. 

Falling asleep thinking about Tolia, I hear a phrase: “Every parting surface is another entrance unfulfilled.”

I Am Me is about celebrating Modersohn-Becker’s singularity, desires, and personhood.

It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.